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Saturday, 12 July 2025

Quiet Day: Sabbath









We enjoyed an excellent Quiet Day led by Mike Tricker at St Mary's Runwell today, exploring themes of Sabbath including what the Sabbath is for and Sabbath as resistance.

I wrote the following meditation in the course of the day:

In the cacophony of distractions
In the restlessness of 24-7 consumption
In the cruelty of gratuitous self-centredness and selfishness
In the mindset of me, me, me
In the grasping for power, prestige and position
May an alternative be visioned, voiced 
and enacted and practised
An alternative that is still
An alternative that is gentle
An alternative that is generous
An alternative that is liberating
An alternative that is outpouring and kenotic
An alternative that is sacrificial and salvific
Let justice roll on like a river, 
righteousness like a never-failing stream;
an endless river of righteous living.

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River City People - True Stories From The Revolution.

Windows on the world (527)


Runwell, 2025

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Martyn Joseph - Don't Need No Cathedral.

Wednesday, 9 July 2025

The Secret Chord

Here's the reflection that I shared at St Andrew’s Wickford this morning:

In Psalm 33. 1-4, 18-end, the Psalmist encourages us to:

Praise the Lord with the lyre;
make melody to him with the harp of ten strings.
Sing to him a new song;
play skilfully on the strings, with loud shouts.

When Peter Banks and I wrote our book ‘The Secret Chord’ we took the title phrase from the song “Hallelujah” which is now one of the most-performed rock songs in history. Leonard Cohen's song ‘Hallelujah’ makes the claim that the Biblical King David had found a secret chord which, when played, pleased even God himself.

The opening words to Cohen's song are extrapolated from the account in 1 Samuel 16: 14-23 of how King Saul asked for a skillful musician to be found so they could come and play to soothe Saul's troubled soul. It is clear that David was both a competent musician and also a prolific composer. According to the Scriptures, he would go on to curate and compose many of the 150 Psalms found in the Bible which survive in multiple translations as part of religious worship today. What Cohen surmises is that whatever David played, or, most likely, improvised, would have also pleased the Lord and the children of Israel's God, as well as calming down King Saul.

Cohen's romantic hypothesis is that David had actually stumbled across and therefore deliberately employed a particular chord that has this mysterious power. A chord is a group of (typically three or more) notes sounded together, as a basis of harmony. Arthur Sullivan in a song called ‘The Lost Chord’ wrote: ‘It seemed the harmonious echo / From our discordant life. / It linked all perplexèd meanings / Into one perfect peace.’

Music is a performance in which harmonies echoing from our discordant lives link all perplexèd meanings into one perfect peace. Music, in performance, is an unrepeatable moment in in which all things come together enabling us to feel God's pleasure. In this sense the Secret Chord, about which Cohen writes, is indeed pleasing to the Lord.

Peter Banks remembers this occurring for him on 15th September 2001 when American conductor Leonard Slatkin led the BBC Orchestra in a dramatic rendition of Samuel Barber's Adagio for Strings at the BBC Proms. This was a change added to the usual program of jingoistic ditties that is regularly played at the Last Night of The Proms. Proximity to the tragedy of 9/11 helped to make it spine tingling for those present in the Royal Albert Hall at the time, as well as those viewing on TV. This was not an aggressive response to 9/11, but a truly spiritual one, with everyone experiencing something of God through the pain and suffering. There was a coming together of music and context which created a performance that took on greater significance after the actual event as time passed and as its cache built through word of mouth.

As a result of this linking of the echoes from our discordant lives, Cohen’s Hallelujah includes both the sacred and the sinful – the holy and the broken Hallelujah. It doesn’t matter which you heard, he suggests, because a blaze of light is found in every word and he will be able to stand before God – the Lord of Song – presumably at the Last Judgement and simply sing Hallelujah itself because both the holy and the broken are encapsulated in the one word and one chord.

This is to say that distinctions between sacred and secular are false divides as all of life and all music is holy. Cohen once said, 'This world is full of conflicts and full of things that cannot be reconciled, but there are moments when we can transcend the dualistic system and reconcile and embrace the whole mess, and that's what I mean by "Hallelujah".'

That’s also why Arthur Sullivan could write:

‘I struck one chord of music,
Like the sound of a great Amen.

It flooded the crimson twilight,
Like the close of an angel's psalm,
And it lay on my fevered spirit
With a touch of infinite calm.

It quieted pain and sorrow,
Like love overcoming strife;
It seemed the harmonious echo
From our discordant life.

It linked all perplexèd meanings
Into one perfect peace,
And trembled away into silence
As if it were loth to cease.’

Ultimately, music is a symbol of the means by which God created, and the musician is a partner with God in the creative process. Therefore, we can pray, with the singer-songwriter Bruce Cockburn, to be a little of God’s creative breath as it moves over the waters of chaos to bring all things into being. In other words, to see and hear life as God sees and hears it and to articulate something of that unitive vision. Amen.

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Jeff Buckley - Hallelujah.

Sunday, 6 July 2025

Windows on the world (526)


London, 2025

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After the Fire - Sailing Ship.

 

The Kingdom of God has come near you

Here's the sermon that I shared at St Mary's Runwell and St Catherine's Wickford this morning:

In the National Gallery in 2013 you could find a St. Francis without a head and with a candy-grabber crane that went inside his body and which, if you were lucky, pulled out a T-shirt saying chastity, obedience and poverty; another St. Francis was mounted on a donation box and, when you put money in, he hit himself over the head with a crucifix. Michael Landy’s large-scale sculptures consisted of fragments of National Gallery paintings cast in three dimensions and assembled with old machinery, cogs and wheels, meaning that visitors could crank the works into life with a foot pedal mechanism.

They sound like pieces designed to mock St. Francis and other Saints represented and yet Landy is an artist who is fascinated by the renunciation and kindness that Saints like Francis have shown through their lives. Landy is best known for two works. The first being an installation in a former C&A store on Oxford Street, where over a two week period, he destroyed all his possessions except for the clothes in which he stood. The second being ‘Acts of Kindness’ where Landy asked members of the public who had witnessed or taken part in acts of kindness while travelling on the tube, to write about them. So, as at least one of the art critics reviewing the show at the National Gallery, has noted while enjoying the jokiness of the lucky dip St. Francis, “you also sense that Landy thinks Britain could do with a little of St Francis’s spirit.”

St. Francis lived out his faith and that is what today’s Gospel reading (Luke 10. 1 – 11, 16 – 20) is all about. This passage from Luke’s Gospel gives us Jesus’ inspirational team talk just before sending his disciples out to be his advance guard preparing those in the towns and other places to be visited by Jesus shortly after. He gives his disciples a message to share – “The Kingdom of God has come near you” – but his main focus is on the behaviour and attitude of his disciples; the way in which they live and act.

He instructs them to live simply (“don't take a purse or a beggar's bag or shoes”); to be focused (“don't stop to greet anyone on the road”); to be peace givers (“whenever you go into a house, first say, ‘Peace be with this house.’”); accept hospitality (“stay in that same house, eating and drinking whatever they offer you”); bring healing (“heal the sick in that town”); share your message (“say to the people there, ‘The Kingdom of God has come near you.’”); and move on when not accepted (“the dust from your town that sticks to our feet we wipe off against you”).

These instructions of Jesus became a model for itinerant preachers throughout Church history including St. Francis and his followers. The words “Preach the Gospel at all times, if necessary use words” are often attributed to St. Francis but, while certainly reflecting something of what he said and did, that is not a phrase he actually used. ‘Francis did focus on proclaiming the word in deeds – as well as in words. And if you have ever read any of Francis’ own writings it is easy to see that Scripture is infused everywhere in his words, his life and his being – and his actions. It is easy to see where the oft-quoted phrase came from; for example, the Legend of the Three Companions’ includes this inspirational team talk from St. Francis:

“Calling together the six brothers, Saint Francis, since he was full of the grace of the Holy Spirit, predicted to them what was about to happen. “Dearest brothers,” he said, “let us consider our vocation, to which God has mercifully called us, not only for our own good, but for the salvation of many. We are to go throughout the world, encouraging everyone, more by deed than by word, to do penance for their sins and to recall the commandments of God. Do not be afraid that you seem few and uneducated. With confidence, simply proclaim penance, trusting in the Lord, who conquered the world. Because by his Spirit, He is speaking through and in you, encouraging everyone to be converted to him and to observe his commandments”’ (http://friarmusings.wordpress.com/2012/09/26/preach-the-gospel-at-all-times-if-necessary-use-words/)

But what has all this to do with us, as we are generally not being called by God to become itinerant preachers? The answer is very simple, that our actions, as well as our words, speak powerfully about our faith. Negatively, this is the reason why Christians are often criticised as being hypocrites; others look at what we do and complain that we aren’t practising what we preach. When our actions and our words come together, however, then our witness is powerful; to see that we only have to think of examples provided by Saints like Francis or more recent followers of Christ like Dietrich Bonhoeffer, Martin Luther King Jnr, Mother Teresa, Oscar Romero, Desmond Tutu, among others.

This is also one reading of the message which Jesus gave his disciples to proclaim. Do you remember what it was? It was not quite the message that we might have expected or anticipated. The disciples weren’t given the message that ‘God is love’ or to ‘repent and believe’; instead they were told to say that “The Kingdom of God has come near you.”

What did that mean? The disciples were the heralds for Jesus’ imminent arrival in that place, so it would certainly have meant Jesus is coming and the Kingdom of God arrives where he arrives. But, because the disciples were also living out their faith in practice, as those bringing peace and healing into the communities they visited, it also meant that the Kingdom of God could be seen in their lives and examples too. This can still be true for us today. Doing good, for Christians, is not about our salvation – it’s not about earning God’s love – instead it is a consequence of our salvation; because God has loved us so much, we then want to love others and, as we do, the Kingdom of God comes close to those we love, help and heal.

That is the challenge of this passage for us today and so, in the words of St. Francis:

Dearest brothers and sisters let us consider our vocation, to which God has mercifully called us, not only for our own good, but for the salvation of many. We are to go throughout the world, encouraging everyone, more by deed than by word, to do penance for their sins and to recall the commandments of God. Do not be afraid that you seem few and uneducated. With confidence, simply proclaim penance, trusting in the Lord, who conquered the world. Because by his Spirit, He is speaking through and in you, encouraging everyone to be converted to him and to observe his commandments.

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Travelling Light: A Service for the Third Sunday after Trinity | The Church of England



Here's the reflection that I shared in today's national online service for the Church of England:

Cliff Richard once sang that he had no bags of baggage to slow him down, no comb and no toothbrush, nothing at all to haul. He was travelling light because he just couldn’t wait to be with his baby that night. I wonder whether Eugene Peterson had that song in mind when he translated this reading in ‘The Message’, his version of the Bible in contemporary language. His version of Jesus’ charge to his disciples starts like this: “Travel light. Comb and toothbrush and no extra luggage.”

Travel light. Jesus was calling the 70 to an itinerant ministry (Luke 10.1-11, 16-20). Their focus was on going ahead of Jesus to prepare people for his coming and his message. So, they took nothing unnecessary with them, they weren’t distracted by small talk along the way, they welcomed hospitality when they received it but they simply moved on to the next place and the next person whenever they were not made welcome. No distractions, just a clear focus on their task and their message.

We also need to travel light in our individual lives and our corporate Church life in order that we are focused on our core task of sharing the good news about Jesus in actions and words. But there is also a second reason for travelling light which is to do with the footprint that we leave on the world. By sitting light to possessions and by accepting hospitality as it was offered to them, the 70 imposed as little as possible on the people, villages and areas through which they travelled. In our society, since the advent of the Industrial Revolution, we have done anything but. Our footprint has been heavy on our world as we have exploited its resources for our own gain and we are still struggling to realise the consequences.

John V. Taylor's book, ‘Enough is Enough’, kickstarted the simple lifestyle movement. ‘Live more simply that others might simply live’ was their slogan and it is one that Eugene Peterson sees as coming out of the instructions that Jesus gave to his disciples before he sent them out on their mission: “Don’t load yourselves up with equipment,” he writes, “Keep it simple; you are the equipment. And no luxury inns – get a modest place and be content there until you leave.” Keep it simple. Travel light. These are the key messages of Jesus’ instructions.

Why? To keep us focused on our message and mission and to tread lightly on the earth as we do so.

Travelling light / without / a purse / without / a bag / without / shoes / without / equipment / you are / the equipment / you are / all you need

Travelling light / no / special appeals / no / luxury hotels / no / looking / for the best / cooks / keep it / simple / keep it / modest / be / content

Travelling light / don’t stop / to make / small talk / with those / on the road / move on / reach / your destination / the harvest / is great / but the / workers / few

Travelling light / do stop / to bless / the homes / in which / you rest / for all / you receive / give thanks / and peace / don’t create / when made / unwelcome / shrug / your shoulders, / wipe / your feet / move on

Travelling light / don’t / fill your barns / simply / to eat, / drink / and / be merry / don’t / store up / riches / simply / to rust / and decay / don’t / store up / riches / simply / for others / to steal / your heart / will be / where / your riches / are

Travelling light / do / store up / acts / of love, / hope / and faith / do / store up / the things / that remain / do / store up / treasures / in heaven / your heart / will be / where / your riches /are

Here's the earlier service that we recorded at St Andrew's Wickford in January:


My recorded sermons for the Diocese of Chelmsford's Weekly Sermon series can also be viewed below.





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St Martin-in-the-Fields - Morning Song.

Saturday, 5 July 2025

International Times: Dark Intense Music


My latest review to be published by International Times is of 'Down River: In Search of David Ackles' by Mark Brend:

'In Down River Mark Brend tells the story of David Ackles more fully than it has ever been told before. In the book, he identifies why that story and Ackles’ four albums remain worthy of such focused attention. As Bernie Taupin once said, ‘It’s not just that his music was different; he was different’. Through his search for David Ackles, Brend identifies the ways in he and his music were different from all around him and makes a strong argument for a greater appreciation of the value of difference.'

'Ackles’ storytelling songs demonstrate an incarnational ‘being with’ approach to his characters (‘We are all flawed; we have all fallen’), while the cumulative picture painted is of the bleakness of a world which has, as with the stunning ‘His Name is Andrew’, lost its connection with God.'

For more on David Ackles see here and here.

My earlier pieces for IT are an interview with the poet Chris Emery, an interview with Jago Cooper, Director of the the Sainsbury Centre for Visual Arts, a profile of singer-songwriter Bill Fay, plus reviews of: 'Headwater' by Rev Simpkins'The Invisibility of Religion in Contemporary Art' by Jonathan A. Anderson; 'Breaking Lines' at the Estorick Collection of Modern Italian Art, albums by Deacon Blue, Mumford and Sons, and Andrew Rumsey, also by Joy Oladokun and Michael Kiwanaku; 'Nolan's Africa' by Andrew Turley; Mavis Staples in concert at Union Chapel; T Bone Burnett's 'The Other Side' and Peter Case live in Leytonstone; Helaine Blumenfeld's 'Together' exhibition, 'What Is and Might Be and then Otherwise' by David Miller; 'Giacometti in Paris' by Michael Peppiatt, the first Pissabed Prophet album; and 'Religion and Contemporary Art: A Curious Accord', a book which derives from a 2017 symposium organised by the Association of Scholars of Christianity in the History of Art.

Several of my short stories have been published by IT including three about Nicola Ravenscroft's EarthAngel sculptures (then called mudcubs), which we exhibited at St Andrew's Wickford in 2022. The first story in the series is 'The Mudcubs and the O Zone holes'. The second is 'The Mudcubs and the Clean-Up King', and the third is 'The mudcubs and the Wall'. My other short stories to have been published by International Times are 'The Black Rain', a story about the impact of violence in our media, 'The New Dark Ages', a story about principles and understandings that are gradually fading away from our modern societies, and 'The curious glasses', a story based on the butterfly effect.

IT have also published several of my poems, including 'The ABC of creativity', which covers attention, beginning and creation, and 'The Edge of Chaos', a state of existence poem. Also published have been three poems from my 'Five Trios' series. 'Barking' is about St Margaret’s Barking and Barking Abbey and draws on my time as a curate at St Margaret's. 'Bradwell' is a celebration of the history of the Chapel of St Peter-on-the-Wall, the Othona Community, and of pilgrimage to those places. Broomfield in Essex became a village of artists following the arrival of Revd John Rutherford in 1930. His daughter, the artist Rosemary Rutherford, also moved with them and made the vicarage a base for her artwork including paintings and stained glass. Then, Gwynneth Holt and Thomas Bayliss Huxley-Jones moved to Broomfield in 1949 where they shared a large studio in their garden and both achieved high personal success. 'Broomfield' reviews their stories, work, legacy and motivations.

To read my poems published by Stride, click here, here, here, here, here, and here. My poems published in Amethyst Review are: 'Runwell', 'Are/Are Not', 'Attend, attend' and 'Maritain, Green, Beckett and Anderson in conversation down through the ages'.

I am among those whose poetry has been included in Thin Places & Sacred Spaces, a recent anthology from Amethyst Press. I also had a poem included in All Shall Be Well: Poems for Julian of Norwich, the first Amethyst Press anthology of new poems.

'Five Trios' is a series of poems on thin places and sacred spaces in the Diocese of Chelmsford. The five poems in the series are:

These poems have been published by Amethyst Review and International Times.

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David Ackles - Waiting For The Moving Van.